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    <loc>http://www.alexisrobertskeiner.com/water</loc>
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    <lastmod>2017-06-07</lastmod>
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      <image:title>related work 2015/16</image:title>
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      <image:title>related work 2015/16</image:title>
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      <image:title>related work 2015/16</image:title>
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  <url>
    <loc>http://www.alexisrobertskeiner.com/coastal-journal</loc>
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    <priority>0.75</priority>
    <lastmod>2017-06-11</lastmod>
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      <image:title>coastal journal 2005-2015 (selections)</image:title>
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  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/beast</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775848241-P9V15O4WRDCNZ4MJNUAU/Dead+Baby+Club+still.jpg</image:loc>
      <image:title>portfolio 2016/17 - dead baby club/ memory box, 2016, drawings, Octopus Ink/Rag paper/Cardboard box/Silk/Cotton Tether 11"x 13.5"x3.5" with 6 - 10" x 10.25"</image:title>
      <image:caption>In Dead Baby Club/Memory Box, 2016 I have replicated the work of 4 twentieth century artists. Dead BabyClub/Memory Box places octopus ink replicas of paintings made in mourning together in a memory box, a contemporary vessel dedicated to housing ephemera and relics from a dead child. The works on rag paper are meant to be touched. Though rag paper is a greedy surface for working in octopus ink, the texture and softness of the paper is evocative of flannel baby blankets hung to dry. There is something beautiful about turning a substance meant to be ephemeral into something so permanent.  The cumulative grief of Alice Neel, Kathe Kolliwitz, FridaKahlo, Stella Haase and my own work hide together under a tether. It’s there to be opened and closed by anyone willing to witness and share the weight. Though emotional, it is not precious. It is meant to be touched with hands, meant to show the wear and tear, to be looked at in a stolen moment at the kitchen table, when no one else is looking. After Kathe Kolliwitz, After Futility of Effort by Alice Neel, After After Munro/So You Can Take Home His Smell (drawing made by me 2 months after the death of my son), After Grief (Der Gram) 1917 by Stella Hasse, After Henry Ford Hospital Detroit by Frida Kahlo, After Sarcophagus 1- document of the funerary box I painting in which my son was cremated.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775848241-P9V15O4WRDCNZ4MJNUAU/Dead+Baby+Club+still.jpg</image:loc>
      <image:title>portfolio 2016/17 - dead baby club/ memory box, 2016, drawings, Octopus Ink/Rag paper/Cardboard box/Silk/Cotton Tether 11"x 13.5"x3.5" with 6 - 10" x 10.25"</image:title>
      <image:caption>In Dead Baby Club/Memory Box, 2016 I have replicated the work of 4 twentieth century artists. Dead BabyClub/Memory Box places octopus ink replicas of paintings made in mourning together in a memory box, a contemporary vessel dedicated to housing ephemera and relics from a dead child. The works on rag paper are meant to be touched. Though rag paper is a greedy surface for working in octopus ink, the texture and softness of the paper is evocative of flannel baby blankets hung to dry. There is something beautiful about turning a substance meant to be ephemeral into something so permanent.  The cumulative grief of Alice Neel, Kathe Kolliwitz, FridaKahlo, Stella Haase and my own work hide together under a tether. It’s there to be opened and closed by anyone willing to witness and share the weight. Though emotional, it is not precious. It is meant to be touched with hands, meant to show the wear and tear, to be looked at in a stolen moment at the kitchen table, when no one else is looking. After Kathe Kolliwitz, After Futility of Effort by Alice Neel, After After Munro/So You Can Take Home His Smell (drawing made by me 2 months after the death of my son), After Grief (Der Gram) 1917 by Stella Hasse, After Henry Ford Hospital Detroit by Frida Kahlo, After Sarcophagus 1- document of the funerary box I painting in which my son was cremated.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1497155908290-93NHSDOU23C4TUXNPWVY/Liafe+and+death+still.jpg</image:loc>
      <image:title>portfolio 2016/17 - SCROLL: Life and Death of Erling Munro 2016, Latex ink/ India Ink/ acrylic medium/ charcoal/ vinyl, 102"x 27" </image:title>
      <image:caption>Part 1: Into the World Part 2: Drop Off/Client-Pump-Repeat:In Client-Pump-Repeat a ritual done in broom closets and bathrooms every few hours by every nursing mother is depicted. Expressing breast milk is an invisible, uncomfortable, and time consuming act. Part 3: Missed Call Part 4: Is He Breathing/Is He Gone?The text came through. He'd been taken via ambulance to a hospital, but which one? I got there finally. And because it's LA I threw my key to the valet at the ER. I was greeted by woman who said Are you Mom? I pulled the curtain back and the doctor asked What does she know? Talk to her! The curtain closed and I had two question for the intern Is He Breathing? Is He Gone? Part 5: In To Care for Him in Death as We Cared For Him in Life I used squares to divide the page like sticky notes listing the tasks at hand. I became extraordinarily pragmatic. Once all my tasks in the hospital were completed, the structure was gone. The memory box for all that was left.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775994914-5JLMG1U1Y7WLLQD6PX6U/Liafe+and+death+still.jpg</image:loc>
      <image:title>portfolio 2016/17 - SCROLL: Life and Death of Erling Munro 2016, Latex ink/ India Ink/ acrylic medium/ charcoal/ vinyl, 102"x 27" </image:title>
      <image:caption>Part 1: Into the World Part 2: Drop Off/Client-Pump-Repeat:In Client-Pump-Repeat a ritual done in broom closets and bathrooms every few hours by every nursing mother is depicted. Expressing breast milk is an invisible, uncomfortable, and time consuming act. Part 3: Missed Call Part 4: Is He Breathing/Is He Gone?The text came through. He'd been taken via ambulance to a hospital, but which one? I got there finally. And because it's LA I threw my key to the valet at the ER. I was greeted by woman who said Are you Mom? I pulled the curtain back and the doctor asked What does she know? Talk to her! The curtain closed and I had two question for the intern Is He Breathing? Is He Gone? Part 5: In To Care for Him in Death as We Cared For Him in Life I used squares to divide the page like sticky notes listing the tasks at hand. I became extraordinarily pragmatic. Once all my tasks in the hospital were completed, the structure was gone. The memory box for all that was left.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775788381-WS6PEW0EXGHMQUFZ89Q1/72_tabernacleofthegrievingsisters.JPG</image:loc>
      <image:title>portfolio 2016/17 - Tabernacle of the Grieving Sisters, 2016, india ink/acrylic medium/ charcoal/printed latex  97"x106"</image:title>
      <image:caption>During my initial investigation in to images of bereaved women, I over looked the most famous grieving mothers of all time, the Madonna. Based on the Tabernacle of the Linaioli by Fra Angelico. My surviving children replace the disciples surrounded by the worldly goods that link them to time, memory or legends to their brother. A note about materials: This is on vinyl. For a while "gas Theory" circulated as a possible cause for so called SIDS deaths. Vinyl was identified as a possible culprit of the off gassing. I am still hashing out how by hanging the drawing on a 'Step Repeat' frame serves the work, I'm taking a nod (or a jab) at selfie culture. I am looking at the way we as a culture view historical art as something to photographed in front of...     Collaborators 'under painting' printed on vinyl by American Sign, Los Angeles.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775819202-4U964PTJGU01JN7XMO0Y/72_tabernaclesketch.jpg</image:loc>
      <image:title>portfolio 2016/17 - Sketch for Tabernacle of the grieving Sisters, 2016,  India ink and Conte on Paper, 50"x60"</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1507571476652-GSSZ2ZO2VX70LVH4EA21/houseiphone.jpg</image:loc>
      <image:title>portfolio 2016/17 - House, 2016, acrylic gloss and gel medium/ tinted gesso/ India Ink, 60"x34.5"</image:title>
      <image:caption>To be hung with 'Children' triptych. Uses the same 'm' tagging motif as in "children". The 'm' motif is a visual representation of the all encompassing aspect of grief like an invisible tagger, marring and mark all on its path. As I push this motif, I am thinking about how the work could evolve in the vein of Cicely Brown, where a drawing can be representational and abstracted.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496776475606-39LMIWX4WDKREUN50NCS/72_thechildrenHK.jpg</image:loc>
      <image:title>portfolio 2016/17 - Children: Dorothy, Erling, Loïs, 2016 India ink, acrylic medium, gesso on paper, 60" x84"</image:title>
      <image:caption>Part 1 Children:Dorothy   This started simply: two portraits of my surviving children standing in a doorway or house and an empty house for the child who died. After I initially completed the portraits, these three drawings sat pinned to the studio wall for about two months, staring at me as I started and finished other works. They were not accurate representations somehow. They were too clean, too pretty, too proper. How does one depict the pervasive of grief that gets in everything and covers everything one sees? My adopted city of Los Angeles often has the answers, and here it came through gang tagging sprayed across murals. The grief is like that invisible kid with a spray can zipping through the city, impossible to catch, popping up again and again where least expected. I began to tag the work using india ink to tint gesso, acrylic gel and gloss medium. I did not use any pre-mixed black paint. The "m" tag, like grief, repeats and repeats saying “I am gone now, but I was here." Invisible, ever present.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775826930-1JSYIUQF22T55P0W5ZHS/72_thechildrenEMK.jpg</image:loc>
      <image:title>portfolio 2016/17 - Children: Dorothy, Erling, Loïs, 2016 India ink, acrylic medium, gesso on paper, 60" x84"</image:title>
      <image:caption>Part 2 Children: Munro</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496776552643-OYFUISLYQWUFBHJL74XM/72_thechildrenLAK.jpg</image:loc>
      <image:title>portfolio 2016/17 - Children: Dorothy, Erling, Loïs, 2016 India ink, acrylic medium, gesso on paper, 60" x84"</image:title>
      <image:caption>Part 3 Children: Loïs</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1497155764124-3YDF0UV42TRPG4X05XEL/forest+for+the+trees.jpg</image:loc>
      <image:title>portfolio 2016/17 - forest for the trees, 2016, ink/charcoal/ graphite/ acrylic medium on canvas, 62"x 84"</image:title>
      <image:caption>I realize this is an outlier within this body of work, but this drawing (made in late summer 2016) was a test kitchen of sorts for the mixing of inks with clear acrylic mediums that lead to the 'm' tags in the "Children" triptych and the capability to work with ink on vinyl instead of paper. By using india ink, water soluble charcoal, and water soluble graphite mixed with clear acrylic medium and clear gesso instead of black acrylic paint I achieve a translucency and layering not typical in the non-octopus ink drawings I made previously. Thematically, I have worked with dead trees in the past. I have a deep tie to the physical world from my experience growing up in Alaska. This image is based on scores of drawing made from life of the spruce beetle kill of millions of trees on the Kenai Peninsula.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775779339-3OP36QULN6LWV6QDWQ40/72_Aldersleepingcropped.jpg</image:loc>
      <image:title>portfolio 2016/17 - Alder Sleeping, While They Sleep, 2016 India ink on Paper, 90”x59.9”</image:title>
      <image:caption>Landscape of the Mundane. This series started in the two years following the death of my son when I made a pastime of watching my children sleep. The original sketch made from life, this is documentation of the vigil I kept while my remaining children partook in the much needed activity responsible for my son's death. Unlike Robert Longo's sleeping children that are trying to stop time, this series was born out of a need to keep watch, a diligent eye while the children slept.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780006017-V3FH85DI5HR0LR3LPLS6/lakandwgkiphone.JPG</image:loc>
      <image:title>portfolio 2016/17 - Father and Child on the Drought Stricken Banks of Lake Cachuma, 2016, india ink/ marker on paper, 50"x60"</image:title>
      <image:caption>Taken from a 5”x5” watercolor live sketch from my daily drawing practice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775803738-54METB1W11H9JW6P8PM8/72_HKdancingcropped.jpg</image:loc>
      <image:title>portfolio 2016/17 - Harper Turning Four, 2016, India Ink, charcoal, conte on paper, 60"x82"</image:title>
      <image:caption>“She turned four the day before he died. We knew we couldn't cancel her birthday party, so it went a head as planned. Our community swept in and threw it for her. Her favorite gift she received was a yellow princess dress. It was the only thing she wore for the better part of the year that followed." My figural work is influenced by my undergraduate studies in Dance, specifically, the academic study of Butoh, where dancers explore similar themes of the child and loss. Concerns with the spiral, memory and the archetype of the child were at the fore front my mind during this drawing. I can also count Bill T Jones/ Arnie Zane, Pina Bauch, and Merce Cunningham as my influencers. Here the dancing child is depicted larger than life size, like a memory or dream.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775954602-0D4FT8UXJLXMIXR8D57B/DSC06049.jpg</image:loc>
      <image:title>portfolio 2016/17 - Alder on the Stairs, 2015, india ink, graphite, charcoal and conte on paper mounted on canvas, 83"x61"</image:title>
      <image:caption>My figural work is influenced by my undergraduate studies in Dance, specifically, the academic study of Butoh, where dancers explore similar themes of the child and loss. Concerns with the spiral, memory and the archetype of the child were at the forefront of my mind during this drawing. The scale is also of note: this drawing is a more than life size representation of the child depicted.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775907098-MGSMYXC0AWMU9IBF9AQV/DSC06059.jpg</image:loc>
      <image:title>portfolio 2016/17 - While They Sleep, 2015, Octopus Ink On Rag Paper, 24"x 21"</image:title>
      <image:caption>Evocative of the Victorian post-mortem photographs, the “While They Sleep…” series is based on scores of sketches done in the two years following my son’s death when I made a pastime of supervising my sleeping children. The materials play an imperative role. The indelible octopus ink is layered wash upon wash to build a living surface, rich in pattern and tone. The rag paper is a greedy surface, but is evocative in size and texture to a flannel baby blanket. Though this work is figurative, it is also a Landscape of the Mundane. Interesting to note, the tones present in the ink are variable based on the diet of the individual octopus. After the shrimp population crashed in the 1970s, all of the ink pulled from Kachemak Bay has been cooler in tone. In the past 5 years the shrimp population is making a come back leading to a warmer, more red tone.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496775923343-OH7W5GCZEMCXSWO96WYZ/DSC06062.jpg</image:loc>
      <image:title>portfolio 2016/17 - While They Sleep 2, 2015, Octopus Ink On Rag Paper, 24"x21"</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496776133599-7MPNK63TVMSBR6LVRFHJ/ucla_10thtrimester.jpg</image:loc>
      <image:title>portfolio 2016/17 - The 10th Trimester (self portrait from life), 2013, pen on paper, 12"x16"</image:title>
      <image:caption>From my daily drawing practice. Drawn a year to the week of my son's death when I realized (with some humor) I had been pregnant for 30 months.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496777020770-PLA8718I8141WNT6T914/72_Munro-pastel.jpg</image:loc>
      <image:title>portfolio 2016/17 - Baby John Doe 8/14/2012, 2012, Pastel/ Crayon on Cardboard, 12"x16"</image:title>
      <image:caption>Baby John Doe 8/14/2012, 2012 Drawn from memory. Drawn 3 months after his death, here my son lies in repose wrapped in the blanket donated to our family by Cedars Sinai ER so we could "take home his smell". After I completed painting the funerary box in August of 2012, I was concerned I would not be able to return to my drawing and painting practice. As Victorian and romantic as it sounded to have the last thing I painted be my son's casket, I was determined for that not to happen. This drawing was the first completed drawing examining bereavement.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496776146279-BYVR0MTVF5XDQ3E4JEU5/ucla_alittlecompany.jpg</image:loc>
      <image:title>portfolio 2016/17 - A Little Company, 2012, Acrylic/Felt-tipped Pen on Cardboard Funerary Box, 30"x16'x12"</image:title>
      <image:caption>In lieu of satin coffin trimming, I depicted my son's basinet. The lid, when closed looked down upon this view. Please note: The formal images documenting the funerary box have been lost. As the box was incinerated shortly after these photos were taken, I cannot re-shoot. I chose to include them because I feel these funerary paintings are the origin of much of the work I am making now.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496779684593-X4N6IPCDE01E426I26QD/72_Portrait+of+Grief.jpg</image:loc>
      <image:title>portfolio 2016/17 - Portrait in Grief, 8/2012, Acrylic and Pen on Cardboard Funerary Box Lid, 30"x16"x4"</image:title>
      <image:caption>And that night she asked, "Yes, but when are we going to be done being sad?" I replied, "We may never be done being sad about your brother's death, but that doesn't mean we can't be happy about other things." From the inside lid of my son's casket. A family portrait to hold his body while lying in repose. In lieu of satin coffin trimming, I depicted my son's basinet. The lid, when closed looked down upon the body and the painted image of the crib. Please note: The formal images documenting the funerary box have been lost. As the box was incinerated shortly after these photos were taken, I cannot re-shoot. I chose to include them because I feel these funerary paintings are the origin of much of the work I am making now.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/son-doong-expedition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-06-07</lastmod>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/travel-journal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748974869-ZFGC0KP15HNRWWMFA9FC/tapei+to+hanoi+vn.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748974869-ZFGC0KP15HNRWWMFA9FC/tapei+to+hanoi+vn.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509749220240-7IGSVJ6BZ9VZYYF2TO2J/lax+to+taipei.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748978524-OWWJ5V4C2NSMG8COQRWB/traffic+in+hanoi.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748982323-MMG9GD762AMIODJ0EYCD/jetlag.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509750635083-BDOSD8EZH5GUJ2Q65KWR/kinh+do+hanoi.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102507276-GHCITUPQDBH7J355UYJ6/hand+of+dog.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Hand of Dog</image:title>
      <image:caption>Octopus ink on paper 8"'x8" 2017  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102337346-9ZBV9TXA8YLU2NFR21TZ/oxbow+hang+en+cave+.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Oxbow in Hang En</image:title>
      <image:caption>Octopus ink on Paper 8"x8" 2017  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102328189-K2R7QW0C5TZJ8Q60VA6V/hand+of+dog.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102366923-441BFPOKZA0I5IGZY8A8/oxbow+1.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Sketch from the Oxbow, Hang En Cave, Vietnam</image:title>
      <image:caption>Ink on Paper 8"x 8" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102346932-XLCVZ9TZEH0ZC8DJMHXY/leaving+Hang+En.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Leaving Hang En</image:title>
      <image:caption>Octopus ink on Paper 8"x8" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102374971-0GYJEX5VFYY2T1NUBZYH/son+doong+1.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Son Doong</image:title>
      <image:caption>Octopus Ink on Paper 8"x8" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102424450-WNTURJCATSCGRHO3RJWM/mouth+of+Hang+en+.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Hang En</image:title>
      <image:caption>Pencil on Waterproof Paper 9"x11" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102444059-TMHEGRLDXCPV55NMN7AN/morgan+and+lewah.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Morgan and Lewah, Sapa, Vietnam</image:title>
      <image:caption>Pen on Paper 8"x8" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102392055-XSQDGHMEGBAEFWZ1NBF2/Selfie+with+Venga.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Selfie with Venga, Ha Long Bay, Vietnam</image:title>
      <image:caption>Ink on Paper 8"x8" 2017  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102357507-2CVCE3ZJPO8GCVZ6JBLC/leaving+hue.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Airport in Hue with Pho, Vietnam</image:title>
      <image:caption>Ink on Paper 8"x8"   2017    </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1500102403009-XG8Y3ITP2CFOBNN27UO1/PLANE+2.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017 - Leaving Vietnam</image:title>
      <image:caption>Ink on Paper 8"x 8" 2017  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748949265-GMVR8UKSIK6DUNYTAH9X/travel+compardes.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748964085-FSNQCIAFPNTNLXC3UNUM/life+in+hue+.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748971454-7Y1B37X8SZ2GIX67GA38/An+Bang%2C+City+of+Ghosts+.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748984232-VVMVL8DO9XHBVVAW1ZKF/village+dogs.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1509748988314-HQE8PBSE1UED21NUCVS9/drinks+in+hanoi.jpg</image:loc>
      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
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      <image:title>Travel Journal, Vietnam 2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/storm</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-29</lastmod>
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      <image:title>related work 2016/17</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504035993126-SRMU5LWP0ERE9H7KP6TQ/quartet.jpg</image:loc>
      <image:title>related work 2016/17</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496781482195-N7AGMATX1TRFTXDOXQG2/quartet.jpg</image:loc>
      <image:title>related work 2016/17</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/rust</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-09</lastmod>
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      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496782795563-JIOAD2ATKC7CQ01H9IQ3/72_AlderontheStairs.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780918599-HZ7NFUR7JMMR0AGEH21S/72_WhileTheySleep2octopusink+on+rag+paper.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780962868-O5BL511YWXP4LFBYKGYX/DSC06027.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780973944-KBWUEOFXX0KXD08TAICX/DSC06033.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780985501-B1O6YCBMNJXZ4N8D490Q/DSC06037.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780998068-3N3FJM367RCOV5VESIEB/DSC06039.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496781030935-0FD5574AZZ8CRJUQSY23/DSC06044.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780830458-R4GGKZFNGIZUVZIO0TE0/AK-095.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496782776879-CRLDJ02CI7TY92QNYREB/ucla_10thtrimester.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780844730-95GA73WR0ZARIQEGVUR4/AK-102.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496781049825-UG5CV9KMJU2FT7BEPT9C/DSC06048.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780926294-ZH6CAOI6P26DRUU3MTD2/72_Munro-pastel.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780836446-AJT38JLO7P2G8A2D2VHO/2012-08-28+07.03.13.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780819986-WAKZTYAOZKRB0Y4D3VMR/2012-08-28+07.03.28.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780909263-OGRZWA3VFTDQXMBEPJ1E/72_Portrait+of+Grief.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496780944414-MWGLILPRL8095Q2XN9LZ/2012-08-28+07.00.19.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1496781345457-S6U2K091G47009BN6FPK/2012-08-28+07.01.21.jpg</image:loc>
      <image:title>portfolio 2015/2016</image:title>
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  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/dbc20052017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504742764178-AJH51E55O1Y0ZQ70H1UR/72_Munro-pastel.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017 - Baby Doe: So You Can Take Home His Smell, 11/14/2012, Pastel and Crayon on Cardboard</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504742764178-AJH51E55O1Y0ZQ70H1UR/72_Munro-pastel.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017 - Baby Doe: So You Can Take Home His Smell, 11/14/2012, Pastel and Crayon on Cardboard</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1516231037261-Q060MPJZC02ZVDSI8Q5C/LDEMK_+A+Keiner.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017 - Life and Death of Erling Munro (Open Scroll), 2015, Ink and Acrylic on Vinyl 24" x 96""</image:title>
      <image:caption>Video can be seen Here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1517618258111-BH9NDNQPW8YETXBGD78W/dbc2017jpg.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017 - Dead Baby Club/ Memory Box, 2015-Present, Cardboard, Silk blanket, Cotton Tie, nine 12"x12" octopus ink on paper replicas of work made after the loss/death of a child (Alice Neel and Others)</image:title>
      <image:caption>2016 Video can be seen here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504743126290-EKN9IGYOOLT1P1FOTAFI/72_tabernaclesketch.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504743131559-K4QSS0XX7ON5XH316FDT/72_tabernacleofthegrievingsisters.JPG</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504742784915-F9TAPVXXQWQ9NM3VPKI1/2012-08-28+06.59.53.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504742813268-DL8OSOAOCUZFCDUIM569/2012-08-28+07.00.19.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
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      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
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      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504742610613-EF4NGLUUMJ9HVQ0VBSIZ/LDEMK_+A+Keiner.jpg</image:loc>
      <image:title>Dead Baby Club: On Death, Bereavement, and Living 2012-2017</image:title>
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  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/stages-17-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504034988819-B8HKOY94L8FA72KX1PTF/DSC02802.jpg</image:loc>
      <image:title>Stages 1-7, 2017 - Stages 1</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:title>Stages 1-7, 2017 - Stages 1</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504034957553-Q75WVFEJQ4XXZJVZIKE6/DSC02798.jpg</image:loc>
      <image:title>Stages 1-7, 2017 - Stages 2</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504034964645-H6V6MSS84M9Z2HXCZCZH/DSC02799.jpg</image:loc>
      <image:title>Stages 1-7, 2017 - Stages 3</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1504034938513-R3L2R1LMVMKZSM32MQYR/DSC02796.jpg</image:loc>
      <image:title>Stages 1-7, 2017 - Stages 4</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:title>Stages 1-7, 2017 - Stages 5</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:title>Stages 1-7, 2017 - Stages 6</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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      <image:title>Stages 1-7, 2017 - Stages 7</image:title>
      <image:caption>Charcoal, Pen on Paper 22"x29.75" 2017</image:caption>
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  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/portfolio-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512987778820-JXGLVCQWATVEZUNVY4VJ/stages+1.jpg</image:loc>
      <image:title>portfolio 2018 - 1. Stages 1, From Memory 1994: Sheet'ká, Alaska,</image:title>
      <image:caption>2017,  22"x29.75" Charcoal, Pen, Graphite, Ink on Paper Additional Details Stages 1-7 are drawings of actual places I have physically performed. As I riff on grief and the phases or “stages” of grief, the visions of literal stages come to me again and again. Much of my dream life exists in this space. These drawings are influenced by emotion of architecture and the sketches of Julie Mehretu and Jenny Saville.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512987778820-JXGLVCQWATVEZUNVY4VJ/stages+1.jpg</image:loc>
      <image:title>portfolio 2018 - 1. Stages 1, From Memory 1994: Sheet'ká, Alaska,</image:title>
      <image:caption>2017,  22"x29.75" Charcoal, Pen, Graphite, Ink on Paper Additional Details Stages 1-7 are drawings of actual places I have physically performed. As I riff on grief and the phases or “stages” of grief, the visions of literal stages come to me again and again. Much of my dream life exists in this space. These drawings are influenced by emotion of architecture and the sketches of Julie Mehretu and Jenny Saville.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512987958164-IF3TWBIIJCX93J4MF2JH/Liafe+and+death+still.jpg</image:loc>
      <image:title>portfolio 2018 - Life and Death of Erling Munro</image:title>
      <image:caption>2016, 102"x 27", Latex ink/ India Ink/ acrylic medium/ charcoal/ vinyl Additional Details Part 1: Into the World Part 2: Drop Off/Client-Pump-Repeat:In Client-Pump-Repeat a ritual done in broom closets and bathrooms every few hours by every nursing mother is depicted. Expressing breast milk is an invisible, uncomfortable, and time consuming act. Part 3: Missed Call Part 4: Is He Breathing/Is He Gone?The text came through. He'd been taken via ambulance to a hospital, but which one? I got there finally. And because it's LA, I threw my key to the valet at the ER. I was greeted by woman who said Are you Mom? I pulled the curtain back and the doctor asked What does she know? Talk to her! The curtain closed and I had two question for the intern Is He Breathing? Is He Gone? Part 5:To Care for Him in Death as We Cared For Him in Life I used squares to divide the page like sticky notes listing the tasks at hand. I became extraordinarily pragmatic. Once all my tasks in the hospital were completed, the structure was gone. The memory box for all that was left.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988228476-C7U6G3TUML34YF6N41EX/b44c7759-719c-400f-a47d-259a8b1ec927.550x220.jpg</image:loc>
      <image:title>portfolio 2018 - Life and Death of Erling Munro (scroll)</image:title>
      <image:caption>Video, 2016 Additional Details Confronted by the question what do I want to do as a maker and what can I do as a maker to explain a tragedy? Originally a six-frame graphic poem, this scroll is a result of answering the question “What happened?” thousands of times. Inspired by cinematic storyboards first, and the visual language of the graphic novel second, I attempt to tell the story visually. Initially, I considered using the billboard as the format for telling the story. Inspired by the Ripley Scroll I choose this format of viewing for its intimacy. Like the Ripley Scroll, I am considering making multiples. This was my first completed drawing on printed vinyl. Vinyl as a surface is interesting and appropriate for a scroll that will be touched again and again. The material is ideal for its durability. A few years ago vinyl was investigated as a contributor to "Gas Theory," a possible culprit of SIDS... The story of my son's life drawn on surface that may have contributed to his death.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988256757-LMWME30K26XBVKTI8JBW/stages+2.jpg</image:loc>
      <image:title>portfolio 2018 - Stages 2, from Memory 2000: Cossitt Studio</image:title>
      <image:caption>2017,  22"x29.75" Charcoal, Pen, Graphite, Ink on Paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988373040-1YDH93610CEICI3XNNCC/02171063-0020-445c-91de-fff0f50bc4f3.550x220-1.jpg</image:loc>
      <image:title>portfolio 2018 - dead baby club/ memory box, (folio) Video 2016</image:title>
      <image:caption>Video: Cardboard, tissue, silk, octopus ink, cotton rag paper, cotton tether. 11"x 13.5"x3.5" Additional Details In Dead Baby Club/Memory Box, an ongoing project examining Grief and Art Practice, I have replicated the work of four twentieth century artists. The works on rag paper are meant to be touched. Though rag paper is a greedy surface for working in octopus ink, the texture and softness of the paper is evocative of flannel baby blankets hung to dry. The cumulative grief of Alice Neel, Kathe Kolliwitz, Frida Kahlo, Stella Haase and my own work hide together under a tether. It’s there to be opened and closed by anyone willing to witness and share the weight. Though emotional, it is not precious. It is meant to be touched wth bare hands, meant to show the wear tear, to be peeked at in a stolen moment at the kitchen table, when no one else is looking.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988264339-HJNKJDB1OR8WAPGTPPOK/dbc_still_2017.jpg</image:loc>
      <image:title>portfolio 2018 - dead baby club/ memory box, (folio)</image:title>
      <image:caption>2015-2017, 11"x 13.5"x3.5" with 8 - 10" x 10.25" drawings, Octopus Ink/Rag paper/Cardboard box/Silk/Cotton Tether Additional Details These drawings are based on pre-existing work. They are small, meant to be held in you hands. Rag paper is a terrible choice for octopus ink because it's greedy, sucking up the ink on my brush almost before it touches the page, but its texture resembles a baby's blanket after it has dried on the clothesline. The octopus ink is completely indelible once it dries on paper: a substance meant to be ephemeral transforms to something so permanent: After Kathe Kolliwitz, After Futility of Effort by Alice Neel, After Munro/So You Can Take Home His Smell (drawing made by me two months after the death of my son), After Henry Ford Hospital Detroit by Frida Kahlo, After Sarcophagus 1- document of funerary box painted for my son's cremation. After Grief (Der Gram) 1917 Stella Hasse, After Mary Frank's every night when the sun goes down (pablo and andrea), After commissioned death mask "Our Boy"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988410521-HR8E9H7WLE3LI453DAN6/stages+3.jpg</image:loc>
      <image:title>portfolio 2018 - Stages 3, From Memory 1999: Armstrong Hall</image:title>
      <image:caption>2017,  22"x29.75" Charcoal, Pen, Graphite, Ink on Paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988429306-FM6SXIIEQLHXK8XVEFMI/philip_Gustons+Baby.jpg</image:loc>
      <image:title>portfolio 2018 - If Phil Guston's Baby had Died Instead of Mine (triptych)</image:title>
      <image:caption>6"x18" ink and brush on paper, 2017 Additional Details I have been told if I was a man making paintings about mourning a child, my work would have more traction. From a series of 5 tryptics made of small drawings: "If____'s son had died instead of mine" How Might We... Use the language of other artists' to express emotion and narrative? The cut onsie, the flying breast pump resting on a cabbage leaf, the breast pump tubes looped into the in-n-out paper.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988435533-A9YF2VRXHOKBEBRAQ4K5/FullSizeRender+%281%29.jpg</image:loc>
      <image:title>portfolio 2018 - What on Earth” from What Not To Say: Volume One</image:title>
      <image:caption>octopus ink, Pen, india ink on Paper, 9"x12", 2017 Additional Details Excerpt from a comic book "What Not To Say: Volume One." A lovely collection of outlandish things said to me by clients about the death of my son. Zingers include: "Something worse could have happened later!" and "But... Like your daughter wasn't really attached, Right?" You will laugh. You will cry... You will think "Hmmm... I really hope I didn't say that!" Full transcript at www.alexisrobertskeiner.com/wnts_draft E-Publish Date estimated Summer 2018. Represented by Rebecca Friedman Literary Agency</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988444263-K9RZZNMI6OH82WBN61GM/stages+4.jpg</image:loc>
      <image:title>portfolio 2018 - Stages 4, From Memory  2001: Bemis Black Box</image:title>
      <image:caption>2017,  22"x29.75" Charcoal, Pen, Graphite, Ink on Paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988467479-MKZUPLBXIBXX6OX9QBOP/72_tabernacleofthegrievingsisters.JPG</image:loc>
      <image:title>portfolio 2018 - Tabernacle of the Grieving Sisters</image:title>
      <image:caption>97"x106" india ink/acrylic medium/charcoal/latex print Additional Details During my initial investigation in to images of bereaved women, I overlooked perhaps the most famous grieving mother: the Madonna. Based on the Tabernacle of the Linaioli by Fra Angelico. My surviving children replace the disciples surrounded by the worldly goods that link them to time, memory, or legends of their brother.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988487239-WGW2DAEQ2JFT8EWMGVNG/72_thechildren1-3.jpg</image:loc>
      <image:title>portfolio 2018 - Children: Dorothy, Erling, Loïs</image:title>
      <image:caption>2016, 60" x84", India ink, acrylic medium, gesso on paper Additional details This started simply: portraits of my two surviving children standing in houses, and an empty house for the child who died. After I completed these drawings, they sat pinned to the studio wall for months, staring at me as I started and finished other works. They were not accurate representations somehow. They were too clean, too pretty, too proper. How does one depict the pervasive of grief that gets in everything and covers everything one sees? My adopted city of Los Angeles often has the answers, and here it came through gang tags sprayed across murals. The grief is like that invisible kid with a spray can zipping through the city, impossible to catch, popping up again and again where least expected. I began to tag the work using india ink to tint gesso, acrylic gel, and gloss medium. I used no pre-mixed black paint. The "m" tag, like grief, repeats and repeats saying “I am gone now, but I was here." Invisible, ever present.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988494051-E5JCUUJ8NI4KPRL98FIQ/stages+5.jpg</image:loc>
      <image:title>portfolio 2018 - stages 5 From Memory: West Anchorage Auditorium</image:title>
      <image:caption>2017 Charcoal, Pen on Paper, 22"x29.75"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988561314-3E5S6N3FERRB0QWD54QS/72_AlderontheStairs.jpg</image:loc>
      <image:title>portfolio 2018 - Alder on the Stairs</image:title>
      <image:caption>2015, 83"x61",india ink/graphite/charcoal/conte on paper mounted on canvas Additional Details My figural work is influenced by my undergraduate studies in Dance, specifically, the academic study of Butoh, where dancers explore similar themes of the child and loss. Concerns with the spiral, memory, and the archetype of the child were at the forefront my mind when doing this drawing. The scale is also of note: this drawing it is a more than life size representation of the child depicted.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988573651-8FKPHFR9SWJ7SR2BDFSE/72_Aldersleepingcropped.jpg</image:loc>
      <image:title>portfolio 2018 - Alder Sleeping, While They Sleep</image:title>
      <image:caption>2016, 90”x59.9”, India ink on Paper Additional Details Landscape of the Mundane. This series started in the two years following the death of my son, when I made a pastime of watching my children sleep. The original sketch made from life, this is documentation of the vigil I kept while my remaining children slept, the seemingly mundane activity responsible for my son's death. Unlike Robert Longo's sleeping children that are trying to stop time, this series was born out of a need to keep watch.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988589106-60CZDHXAZNZT6GG0BY3O/stages+6+.jpg</image:loc>
      <image:title>portfolio 2018 - stages 6 From Memory 2002: Palmer Hall</image:title>
      <image:caption>Charcoal, Pen on Paper, 22"x29.75" 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988676103-040UID9OSIN7PRZB0YFP/72_WhileTheySleep.jpg</image:loc>
      <image:title>portfolio 2018 - While They Sleep</image:title>
      <image:caption>2015, 24"x 21",Octopus Ink On Rag Paper Additional Details Evocative of the Victorian post-mortem photographs, the “While They Sleep…” series is based on scores of sketches done in the two years following my son’s death when I made a pastime of supervising my sleeping children. The materials play an imperative role. The indelible octopus ink is layered wash upon wash to build a living surface, rich in pattern and tone. The rag paper is a greedy surface, but is evocative in size and texture to a flannel baby blanket. Though this work is figurative, it is also a Landscape of the Mundane. Interesting to note, the tones present in the ink are variable based on the diet of the individual octopus. After the shrimp population crashed in the 1970s, all of the ink pulled from Kachemak Bay has been cooler in tone. In the past five years the shrimp population has been making a comeback, leading to a warmer, more red tone.</image:caption>
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      <image:title>portfolio 2018 - While They Sleep 2</image:title>
      <image:caption>2015, 24"x21",Octopus Ink On Rag Paper Additional details From Landscape of the Mundane. All octopus ink used in this portfolio was collected catch and release in Alaska. It is a process that requires a very low tide, a quiet step, a hypodermic needle, and a fair amount of guts. The ink is an incredibly dense substance. so dense in fact it will pull water from your brush. These drawing were each made with less than a half teaspoon of ink.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988704021-OW91SYHINC3ZZTMYIPKA/stages+7.jpg</image:loc>
      <image:title>portfolio 2018 - stages 7 From Memory 1997: Paladio's Teatro</image:title>
      <image:caption>Additional details Charcoal, Pen on Paper, 22"x29.75" 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1512988723018-R4J57NYYM1Y0KMYLQ9V1/72_Munro-pastel.jpg</image:loc>
      <image:title>portfolio 2018 - Baby John Doe 8/14/2012,</image:title>
      <image:caption>2012, 12"x16", Pastel and Crayon on Cardboard Additional details Drawn from memory. Drawn three months after his death, here my son lies in repose wrapped in the blanket donated to our family by Cedars Sinai ER so we could "take home his smell." After I completed painting the funerary box in August of 2012, I was concerned I would not be able to return to my drawing and painting practice. As Victorian and romantic as it sounded to have the last thing I painted be my son's casket, I was determined for that not to happen. This drawing was the first completed drawing examining bereavement. This piece lead to "Dead Baby Club/ Memory Box" and "Life and Death of Erling Munro."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/my-sisters-couch-interior-landscapes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.alexisrobertskeiner.com/while-they-sleep</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1515717777282-NWV2J1VFZ8DJM0HFGLO1/whiletheysleep2018.jpg</image:loc>
      <image:title>While They Sleep - While They Sleep Cont. 2018</image:title>
      <image:caption>Pen on Paper, 9"x12", 2018</image:caption>
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      <image:title>While They Sleep - While They Sleep Cont. 2018</image:title>
      <image:caption>Pen on Paper, 9"x12", 2018</image:caption>
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      <image:title>While They Sleep - While They Sleep: LAX-&gt;TAI, 2017</image:title>
      <image:caption>Graphite on Water Proof Paper, 2017</image:caption>
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      <image:title>While They Sleep</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1515719495862-RIUDYVAJ9UY6G0XKB969/while+they+sleep+LAX+2016.jpg</image:loc>
      <image:title>While They Sleep - While They Sleep: Alder Tangle, 2016</image:title>
      <image:caption>pen on paper, 2016</image:caption>
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      <image:title>While They Sleep</image:title>
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      <image:title>While They Sleep</image:title>
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      <image:title>While They Sleep</image:title>
    </image:image>
    <image:image>
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      <image:title>Small Works on Paper from The Entropy Cliché, 2019 - nugget falls over dead dog, oil on watercolor, 2006-2019</image:title>
      <image:caption>A durational project. 24 oil paintings (2019) on drawings made between 2002 and 2010. Oil, watercolor, ink on unprimed paper. 2002-2019. 8”x12” to 16”x20” This series traps time; the before my son’s death and the after in conversation. My large early landscape drawings torn into smaller pieces and sealed with drought ridden tales of surviving the wilderness.</image:caption>
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      <image:caption>A durational project. 24 oil paintings (2019) on drawings made between 2002 and 2010. Oil, watercolor, ink on unprimed paper. 2002-2019. 8”x12” to 16”x20” This series traps time; the before my son’s death and the after in conversation. My large early landscape drawings torn into smaller pieces and sealed with drought ridden tales of surviving the wilderness.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612039473201-TLEC969XEZYW2Q5BF6CE/IMG_2230.jpeg</image:loc>
      <image:title>collective-grieving - DBC 1.0 ROLODEX #1 (archive install 3), card stock, typed text on velum, gouache, polaroids, steel rolodex, 2019</image:title>
      <image:caption>Alphabetized experiences in grief from “ADVICE I GIVE TO THE NEWLY BEREAVED” to “WHAT NOT TO SAY”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612039473201-TLEC969XEZYW2Q5BF6CE/IMG_2230.jpeg</image:loc>
      <image:title>collective-grieving - DBC 1.0 ROLODEX #1 (archive install 3), card stock, typed text on velum, gouache, polaroids, steel rolodex, 2019</image:title>
      <image:caption>Alphabetized experiences in grief from “ADVICE I GIVE TO THE NEWLY BEREAVED” to “WHAT NOT TO SAY”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1649940295782-J8WFYY4OO0CIU81IKATW/image-asset.jpeg</image:loc>
      <image:title>collective-grieving - ON COLLECTIVE GRIEVING Nice to Meet you Madame President Text 1</image:title>
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      <image:title>collective-grieving</image:title>
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      <image:title>collective-grieving</image:title>
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      <image:title>collective-grieving</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612042916068-3RJGB8QNXKSQ9Y0PRUOU/IMG_3096.jpeg</image:loc>
      <image:title>collective-grieving</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612047538957-2QRHUVB8M663Z108Y8Q0/IMG_2268.png</image:loc>
      <image:title>collective-grieving - Single Page from book "What not to Say" readable pdf at www.issuu.com/arkeiner</image:title>
      <image:caption>Readable pdf at www.issuu.com/arkeiner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612041987264-EK57STGQXRME3VV1R445/8699F27F-3218-49E0-82A5-7AE59235D461_1_105_c.jpeg</image:loc>
      <image:title>collective-grieving - Archive of Dead Baby Club (install Version 1)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612043040465-BC4UNNV6YOA5CFL6HD0D/image-asset.jpeg</image:loc>
      <image:title>collective-grieving - Life And Death of Erling Munro,  A. R.  Keiner 2016</image:title>
      <image:caption>Life and Death of Erling Munro, Acrylic, Ink, and Charcoal on Vinyl Scroll, 2016</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612042802911-L01OBAWLMO2GNFDNBVMS/IMG_0982.jpeg</image:loc>
      <image:title>collective-grieving</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612043985478-LVT5H1DNTNNOE7GC594X/IMG_2252.jpeg</image:loc>
      <image:title>collective-grieving - Physical image from Digital Image, 1 of 7, Octopus ink on Paper, 7"x5" 2019</image:title>
      <image:caption>Series of drawings from images that only exist digitally. Bringing digital images ephemera in to the physical world</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612043246339-W723TGRA16DCPWFYL21C/image-asset.jpeg</image:loc>
      <image:title>collective-grieving - And the Missing Child (Rockwell Kent Zine) /A. R. Keiner, 2019</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612043392033-9RZY4H1L3UTDZDEQ2DGC/image-asset.jpeg</image:loc>
      <image:title>collective-grieving - dead baby club/memory box /a. r.  keiner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1612043626770-2Q2CZOHK0MM2ZGBGSZZ1/IMG_3107.jpg</image:loc>
      <image:title>collective-grieving - Dead Baby Club National Head Quarters, USA (archive version 2), 2019</image:title>
      <image:caption>Archive version 2: Installed in an office complete with ringing land line and functioning typewriter. Not pictured: bookcase with artists book and other ephemera. Desk drawers filled with crumpled letters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1649941050720-UHNTOZD6G0Q80NV1LU5M/image-asset.jpeg</image:loc>
      <image:title>collective-grieving</image:title>
      <image:caption>Nice to Meet You, Mme. President: Archive from the Dead Baby Club 2012- 2019: 2021. Shortly after the death of my son in 2012, I became a hub for other bereaved families and their communities. I assemble what I called “Grief Teams,” helping families through the first few days, weeks, months after the death of a child. I advise on meal trains, fundraising, how to interview the modern mortician, and the details of caring for the dead like which morticians and funeral homes in Los Angeles or North Carolina will let you be present for the cremation of your child and why that is valuable. I facilitate the family adornments of caskets. I’ve drawn dying children in hospice and their families. A conversation with a friend about my early actions in the community lead to a moment of gallows humor and the moniker de-facto “President of Dead Baby Club.” This has stuck. This work is a direct result of this social practice. Here is a fully functioning archive staged in the imagined National Headquarters of Dead Baby Club, USA. Every aspect of this grief can be touched, read, smelled. At its most simple, this archive explores the before and the after: here were our families before our children died and here we are after. Here is a physical object that existed before my son died and here it is after. Yet what is captured in “Nice to Meet You..”. is less linear. The boxes hold Polaroids, letters between the recently bereaved, small drawings, numerous book projects derived from my social practice, photographs of my partner and I before and after our son’s death.The impact of the piece is dependent on the viewer’s personal experience with grief and willingness to participate with each object; opening the box, the rolodex, the blanket, the books. The most provocative piece within the archive is a text piece encapsulated in a rolodex with an alphabetized account of the experiences of the president of Dead Baby Club. This includes the text from What Not to Say: Volume 1, a 2017 comic book accounting horrible things said by well-meaning folk. This diagram delineates the archive reimagined for the age of Covid and social distancing. Originally conceived as a 1980s era office complete with ringing landline, and then for an install as a 8’x4’x4’ u-shaped cubicle, this pandemic iteration allows for a safer interaction. And at this point, safety is vital to the work. It prevents an individual from joining 2.16 million dead from COVID-19: 4,101 of whom died in the US just yesterday (1/27/2021, New York Times). I think of these families must grieve at a distance of at least six feet, unable to touch their dead, or hold their loved ones. And then what? How do we possibly make visible the grief? How do we possibly connect while avoiding contagion maintaining physical distance from the living as we attempt to comfort the loss? The Pandemic Install: As the act of riffling through each object is limited due to social distance measures, the contents of each item will be projected above the desk using digital video and a slide projector. The viewer gets a guided tour of each object within the archive. A live-stream of the install will allow access to the piece and will be punctuated by the sounds of the slide carousel, the landline, the spin of the rolodex, the vibration of the phone. I considered youtube, facebook/ig live, and discord for the livestream, but settled on a zoom link as the zoom meeting is the Site of our Time. With cameras on, each viewer will be viewed by others as the meeting/viewing is taking place. I am attracted to the voyeurism of the archive as each participant is as visible as the live stream itself. In the event of in-person interaction, the installation continues to be streamed implicating each live viewer into the digital space mimicking the fish bowl of grief. -A.R. Keiner, January 2021</image:caption>
    </image:image>
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    <lastmod>2022-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1648590986527-LJMPM88IECIGJAGLS9N2/05_ARKeiner_+Fragments%3A+The+First+Mile+Is+the+Hardest+%28portrait+of+mom%29+2020+Acrylic+on+Canvas_+four+55+x+77+segments.jpeg</image:loc>
      <image:title>fragments 2019-present - Fragments: First Mile is the Hardest (Portrait of Mom) 2020, installation view</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1648590986527-LJMPM88IECIGJAGLS9N2/05_ARKeiner_+Fragments%3A+The+First+Mile+Is+the+Hardest+%28portrait+of+mom%29+2020+Acrylic+on+Canvas_+four+55+x+77+segments.jpeg</image:loc>
      <image:title>fragments 2019-present - Fragments: First Mile is the Hardest (Portrait of Mom) 2020, installation view</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1648993366199-UGIB9THB0J6W8ORN590K/06_ARKeiner_Fragments%3A+The+Body+and+The+Ocean+2020+Acrylic+on+Canvas_+four+55+x+77+segments.jpeg</image:loc>
      <image:title>fragments 2019-present - Fragments: The Body and The Ocean, 2020, Acrylic on Canvas, detail: 3 of 4  55' x 77" sections</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1648595765491-S1AMM2EKGI0B4WETXC70/03_ARKeiner_Scorch_2019_Oil+on+fragment+of+watercolor+on+paper+9+x+12+.jpeg</image:loc>
      <image:title>fragments 2019-present - Scorch, 2019, Oil on Fragment of Watercolor 2006 on 350# Paper</image:title>
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      <image:title>fragments 2019-present - The Shipwreck II, 2019, Oil on Fragment of Charcoal Selfie from 2015 on Paper</image:title>
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      <image:title>fragments 2019-present</image:title>
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      <image:title>Blog - SoHo, NYC</image:title>
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      <image:title>Blog - SoHo, NYC</image:title>
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    <loc>http://www.alexisrobertskeiner.com/blog-native/bridge-looks-gxyml</loc>
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    <lastmod>2015-10-26</lastmod>
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      <image:title>Blog</image:title>
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    <loc>http://www.alexisrobertskeiner.com/onteaching</loc>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>On Teaching</image:title>
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      <image:title>On Teaching</image:title>
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      <image:title>On Teaching</image:title>
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      <image:title>On Teaching</image:title>
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    <lastmod>2024-10-16</lastmod>
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    <lastmod>2020-01-13</lastmod>
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    <lastmod>2024-04-19</lastmod>
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    <lastmod>2022-07-23</lastmod>
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      <image:title>bio - A.R. K e i n e r</image:title>
      <image:caption>is a visual artist working in drawing, painting, text, and sculpture. Using work from years gone by as material for new work, A.R. Keiner forces a conversation between past, present, future. A presentation of their work at the 2021 Health Humanities in Times of Crisis Symposium, University of Chicago’s Smart Museum of Art can be seen here. Advocacy for recently bereaved families is at the forefront of A.R.’s social practice. In 2017 Liza Bernstein invited A.R. to speak at Stanford University School of Medicine’s Medicine X. The panel Death and Bereavement in the Digital Age can be seen here. Since 2012 A.R. Keiner has worked with over a dozen families and their communities after the death of a child or parent. This work includes direct and indirect peer support, information on mutual aid, facilitation or commission of cremation container adornment, and the assembly of grief teams. All of this work is pro bono and contingent on availability. If you or someone you know is trying to contact A.R. regarding the recent death of a loved one, hospice drawings, or assistance setting up a grief team for a family in your community, please email the below address with the subject URGENT- GRIEF TEAM. alexis.roberts.keiner@gmail.com A.R. Keiner is based Los Angeles.</image:caption>
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      <image:title>cv</image:title>
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    <lastmod>2018-02-11</lastmod>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>"NUMBER ONE CAUSE"</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>"SOMETHING WORSE"</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>"WHAT ON EARTH...."</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>"EXCUSE ME?"</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>TYPICAL  </image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>WHAT NOT TO SAY: VOLUME ONE</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
      <image:caption>Louis Smith</image:caption>
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      <image:title>What Not To Say: Volume One [draft]</image:title>
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      <image:caption>Life and Death of Erling Munro  </image:caption>
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      <image:title>life and death of erling munro</image:title>
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      <image:title>ALL Current Projects - nugget falls over dead dog, oil on watercolor, 2006-2019</image:title>
      <image:caption>A durational project. 24 oil paintings (2019) on drawings made between 2002 and 2010. Oil, watercolor, ink on unprimed paper. 2002-2019. 8”x12” to 16”x20” This series traps time; the before my son’s death and the after in conversation. My large early landscape drawings torn into smaller pieces and sealed with drought ridden tales of surviving the wilderness.</image:caption>
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      <image:title>ALL Current Projects - oil on watercolor, 2006 and 2019</image:title>
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      <image:title>ALL Current Projects - oil on graphite drawing, 2007 and 2019</image:title>
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      <image:title>ALL Current Projects - Physics of Air, oil on graphite, 2007-2019</image:title>
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      <image:title>ALL Current Projects - oil on watercolor, 2005 and 2019</image:title>
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      <image:title>Best of Student Work</image:title>
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      <image:title>Best of Student Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56067e2ce4b06b221ba0b155/1669128326642-EXWXR9QL6MLM5KQ3DK8Y/SFSU+Figure+Drawing+SC+4+Figure.jpeg</image:loc>
      <image:title>Best of Student Work</image:title>
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      <image:title>Best of Student Work</image:title>
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    <lastmod>2023-08-10</lastmod>
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  <url>
    <loc>http://www.alexisrobertskeiner.com/haircutter</loc>
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    <lastmod>2024-02-08</lastmod>
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      <image:title>Alexis Roberts Keiner - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.alexisrobertskeiner.com/artist-for-hire</loc>
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    <lastmod>2024-10-16</lastmod>
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      <image:title>Artist for Hire - The Furtorialist Portraits</image:title>
      <image:caption>The Furtorialist is the Best {pet} Portraits in the Game: Using video, images, and stories, I make unique analogue and personalized portraits of your furry, scaly, freckled, or feathered friends and family members.</image:caption>
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      <image:title>Artist for Hire - Drafting / Ideation</image:title>
      <image:caption>Through professional collaboration with interior designers, landscape architects, I bring life to your vision, making it easier for clients to see their future in your plans.</image:caption>
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    <image:image>
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      <image:title>Artist for Hire - Classes / Workshops</image:title>
      <image:caption>Looking to better your skills? Wanna learn something new? I offer specialty classes at all levels for ages 9-100 in drawing, painting, collage, and art history. I host five-day Summer Sessions for 6th-12th grade, weekly Art Club for Kids, Rent-A-Guide for museum visits, evening sip n’ paint, and day-long plein air (outdoor painting) classes. View student work here</image:caption>
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      <image:title>Artist for Hire - Community Murals</image:title>
      <image:caption>Custom hand-painted interior or exterior murals reflecting your organization’s mission, your business’ goals, or your neighborhood’s community. From design to production to unveiling, I work every step of the way to ensure quality of this large scale work of art.</image:caption>
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    <image:image>
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      <image:title>Artist for Hire - Portfolio Review / Tutoring</image:title>
      <image:caption>Whether you are looking to get your elementary age child into the GATE program, apply for fine art summer camps in middle or high school, or are seeking acceptance to BFA program, I work with your family to achieve individual goals in the arts.</image:caption>
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  </url>
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    <loc>http://www.alexisrobertskeiner.com/about-native</loc>
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    <lastmod>2025-05-06</lastmod>
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      <image:title>About</image:title>
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